故事分成三(sān )個章節：(🏽)主(zhǔ )要的章(zhāng )節由(yóu )高達親自飾(shì )(🔱)演(🕰)導(🤢)演，正要(🔧)趕乘飛(🆖)機，在24小時內(🗼)把一部電影的菲(fēi )林交(jiāo )給監製；同時一隊二人流行(🐿)電子(zǐ )音樂組合(hé )(🗄)，不斷排練歌曲(💆)，最後在(zài )路上表演(yǎn )；另一邊廂(🎫)，愚笨(😚)的大肥佬捲(juǎn )入一宗(zōng )事件，被神秘女(nǚ )人(rén )(💞)密切監視(📎)，最後更被(🌚)拘捕。三段故事(shì )看似(sì )毫無(🌑)關連，實(🥎)際是高達以電影來(lái )討(tǎo )論電(🤠)影製(zhì )(🌞)作和藝術(🙀)創作的(de )重(chóng )要。片(🍄)名看似帶(👃)有(🧤)弦外之音，就像高(👺)達(dá )暗示，假如(rú )(🕐)監製或(🚴)其他(🤖)人要干擾(rǎo )導演的藝術創(chuàng )作，就索(🍑)性(👊)我行我(wǒ )素(sù )，忠(zhōng )於(yú )自己(🏻)的道路好(🐨)了(👪)。這(zhè )大概亦示範(fàn )了高達如何純(chún )熟地運用(yòng )(🎥)電影媒體來做評論。
　　A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours an electronic duo keeps rehearsing for their roadshow a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.