让-加布瑞·贝里奥导演执导的《我们的失败》，2019年上映至今获得了不错的口碑，由Swann Agha,Natasha Andraos,Ghaïs Bertout-Ourabah,Jackson Ellis,Julie Escobedo,Rosalie Magnan,Alaa Mansour,Marine Rouie,Floricia Yamondo,Martin Zellner等主演的一部不错的其他。

我们的失败剧情：

　　2018年5月和(hé )(📒)6月(yuè )，Jean Gabriel P_Riot与(🐉)位于Ivry Sur Seine的一(yī )所(🌗)高(🏇)中的(📼)10名电影(yǐng )(🐿)班(🕔)学(🔸)生(👑)合作，开(🛍)展了(le )(🕖)一项将电影与政治结合起来(lái )的项目。学(xué )生(🥞)们(men )在摄像机前(qián )和摄像机后工作，重(chóng )新布置罢(⏺)工、抵抗和(🚣)劳资纠纷的场景(⏯)，这些电影可以(🌑)追(🎛)溯(sù )到20世纪60年代末(mò )到70年(nián )代末，包括让-卢克(kè )(🎾)-戈(gē )达(dá )尔和阿兰-坦纳的(de )电影。nos d_faites汇(huì )集了调(diào )查结(🗳)果，并(bìng )增加了采访(fǎng )，在采(cǎi )(🛎)访中(🚗)，导演询问学生(🐛)他们(⛏)刚刚表演的(de )场景，关于(💹)“阶(jiē )级”、“工会(💿)”和“政治(📧)参与”等概念，以及更(gèng )广泛的社会背景。这是一(🚲)个简单，但尖(jiān )锐(🐖)的设(🖍)置，让观众一瞥年轻一代如何看待(😳)政治和过(🚻)去的政治电影。这(zhè )部影片(piàn )还记(✖)录了导演试图激怒(nù )学生的企图。在导(👅)演和学生(🍯)似乎处于平等地(dì )位的(💛)遭(👼)遇中，基(🏡)于从未见过的(🛌)导演更多(🚓)类(lèi )似于老(lǎo )师的(de )提(🍉)问，以及此时此刻(kè )对革(gé )命的思(sī )考：起义的表(biǎo )现(xiàn )反(fǎn )映(🍏)了同样(⏭)的情(qíng )况(🤠)。这会导致一个(🐼)真实(shí )的发生吗？
　　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
　　回到1968年的(❗)电(diàn )(🐸)影时(🆚)代(dài )(🏴)，继(❌)续对重放从过(guò )去跳出来的电(diàn )影节(jiē )选的年(nián )(➡)轻(qīng )人(📏)进行今(jīn )天(👍)的(🕦)采访(✏)，我(wǒ )们的失败描(miáo )绘了我们当前与(🎽)政(🤞)治的关系。我(wǒ )们的失(shī )败，还(hái )是我(🍫)们有足够的力量来(lái )面(miàn )对今天的混乱(🥗)？
　　By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?

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