蒋能杰导演执导的《加一》，2016年上映至今获得了不错的口碑，由蒋佳伊,范梓沐等主演的一部不错的其他。

加一剧情：

　　本片 荣获第四届深(🏽)圳青年影(🌰)像节纪录片类 最佳(jiā )创意(🍥)奖 ，香(xiāng )港(gǎng )中文(wén )大学、(🍖) 第二(🗼)届中国民族博(📿)物(wù )馆(👋) 永久收(shōu )藏奖(🏇) 。
　　有意想观看的，可(🕯)联系版(💆)权(quán )(✳)方微信：1714371600
　　《加一》颠覆大众对留守儿童的固定思维，以独(dú )特(tè )(🛑)的视(shì )角呈现最(zuì )真实(🌑)的留守(㊗)儿童(tóng )生活。
　　加一是一名留守(🙉)儿童，父母常年在外(🤷)打工，每次(🤲)短暂的相(💠)聚都(⛳)会牵动加一幼小 的(🧣)心灵：长途 跋涉(🈁)和爷爷(💹)去看望在(zài )外(wài )(👊)打工(gōng )的父(fù )母，离别时(🏻)躺(🐛)在爸爸腿(tuǐ )上静(🤷)静落(luò )泪；春节过后妈妈提(🔈)前出(chū )去打工，没有说再见是因为(wéi )偷偷(tōu )躲(duǒ )在(zài )被(🔷) 窝里(lǐ )泣(qì )不(bú )成(chéng )声。然(rán )而父母离开(kāi )后生活依然要继(jì )续，忍受(📞)过难尝的别离滋(👛)味后，依然(rán )要忘掉(🔪)烦(🐂)恼，快乐地(dì )(🧘)和同学(xué )玩耍(✖)，淘气地(dì )(😉)逗哭弟(🍹)弟后(🏸)又(❄)像大(dà )(🈺)人(rén )一(yī )样(🔮)哄着他。每天和弟弟(dì )徘(🚪)徊(🐌)在(zài )哭与笑之间(jiān )，就这样在痛(🙅)与乐中(zhōng )成长着(zhe )(🚓)。
　　留守儿童并不(⛎)是“苦逼”的(de )代(👔)名(míng )词，他们(🔝)有他们(men )的快(kuài )乐，有他们(men )的纯真，他们也确实要忍受不一(👅)样的孤独(🌶)和无奈(🔰)。大时代下的小(🧔)人物，他(tā )们的(de )生(shēng )(🏓)存(cún )状(zhuàng )(🤳)态是这个时代的(de )特(🥈)殊印迹。
　　The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.
　　JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them lying on her father’s leg and crying silently is her way of resisting saying goodbye Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.
　　“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.

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