马克·詹金导演执导的《诱饵2019》，2019年上映至今获得了不错的口碑，由Morgan Val Baker,Georgia Ellery,Martin Ellis,Chloe Endean,Stacey Guthrie,Jowan Jacobs,Giles King,Edward Rowe,西蒙·谢泼德,特里斯坦·斯特罗克,Mary Woodvine等主演的一部不错的剧情片。

诱饵2019剧情：

　　康沃(🆓)尔渔村的风景(jǐng )明信(xìn )片田园诗(shī )(🃏)误(wù )导(😘)了人们。虽然过去钓鱼是一(yī )种养家糊口的方式(🏴)，但如(rú )(🥩)今富有的(de )伦敦游客纷纷下山，取代了当地人(🐿)，当地人的生计因(yīn )此(cǐ )受到威胁。史蒂文和马(🏐)丁(🚥)兄(🐖)弟的关(📞)系也很紧张。马丁是一个没有船的渔(yú )夫，因(🤷)为史(💞)蒂文开(🌙)始用(yòng )它来(lái )为一整天的游客提供(gòng )更赚钱的旅游(yóu )。他(tā )们卖(mài )掉了这座(🔝)家(✋)庭(🐑)别墅，现在(🌞)看来，最(zuì )后一(💪)场战斗是和(🍄)新主(🥫)人在海(🧤)边(🔔)的停(tíng )车位上展开(kāi )(👺)。然而，情况很快(kuài )就失控(🤖)了，而不仅仅(jǐn )是因为车轮夹(🏉)钳。
　　Bait是(🌹)一种黑白(bái )，手工制作，16毫(háo )米胶片制作(zuò )的电(🎥)影。许多(duō )关于鱼、网、(🔤)龙虾(xiā )、长(🥤)靴(xuē )、绳结和渔篮的特写镜头让(🔎)人(🌂)想起了蒙(🐖)太奇景(jǐng )(🔫)点(💣)的理论(🌸)。对不同社会阶(jiē )层的描(😳)述——(📤)可(🚻)以说是阶级(🛃)关(guān )系——也让人(rén )(📬)想(xiǎng )起了(💑)英(yīng )国(guó )电影中(zhōng )的(de )社(🏸)会现实主义传统(tǒng )。然(🐈)而，最(🔍)重(chóng )要(yào )的是，在影像中不同(tóng )(🐅)层(céng )次的电(💨)影历史参考文(🕵)献之下，当前(qián )许多政治(zhì )关联正(🌒)在等待被发现。
　(🈺)　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.
　　Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

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