(👷)2018年5月和(hé )6月(🐌)，Jean Gabriel P_Riot与位于(yú )Ivry Sur Seine的(🎏)一所高中的10名电(⚫)影班学生(shēng )合(hé )作(🤷)，开展了一项(👁)将电影与政治结合(🏐)起来的项目(📞)。学生们(🗑)在摄(🍮)像(xiàng )机前和摄(🖍)像机后(🥀)工作，重新布(bù )置罢工、抵抗(kàng )和劳(láo )资纠纷的(🚨)场景，这些电(❔)影(💱)可(🦗)以(🌑)追(zhuī )溯(🌊)到20世纪(jì )60年代(dài )末到70年代末，包括让-卢克-戈达尔和(🥫)阿兰(lán )(👃)-坦纳(nà )的电(🕙)影。nos d_faites汇集(jí )了调查结(jié )果，并增(zēng )加(jiā )了采访，在(zài )(👊)采(cǎi )(🛎)访中，导演询问学生他们刚刚表演的场景，关于“阶级”、“工会(huì )(💿)”和“政(🤔)治(zhì )参(cān )与”等概念，以及更(🥤)广泛(👵)的社(💸)会(🥅)背(🐞)景。这(🔞)是一个简(jiǎn )单，但尖(jiān )锐(ruì )的设置，让观(🚡)众一(yī )瞥(piē )年轻一代如(rú )何看待政治和过去的(de )(🔪)政治电影。这部影片还记录(🕺)了导演(yǎn )试图激(🍹)怒学(xué )生的企(🈺)图。在导(👅)演和(🐈)学生(shēng )(🍯)似乎(🌲)处(chù )于(yú )平等地位的遭遇中(zhōng )，基于从未(🈸)见(jiàn )过(guò )(🛃)的导演更(gèng )多类(📯)似于老师的(🏗)提问(wèn )，以及此时此刻对革(🐸)命的思考：起义的表现反映(🍏)了(😻)同样(yàng )(⏭)的情况。这会导(dǎo )致一个真(zhēn )(🕤)实的发生(shēng )吗？
　　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
　　回到1968年的电(diàn )影(⤵)时代(dài )(🏴)，继续对重放从过去跳出来的(de )(😙)电(diàn )影节(🈲)选(xuǎn )的年轻人进(jìn )行今(jīn )天的采访(✏)，我们的失(shī )败描绘了(le )我们当前与政(zhèng )治的关系(xì )。我们(men )的失(🎆)败，还是(shì )我们有(yǒu )足(zú )够的(👟)力(📆)量来面对今天的混乱？(🏺)
　　By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?